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Art, Classical. --- Art, Classical --- Art antique
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Art --- Antiquity --- Art, Classical --- Conservation and restoration --- Influence --- Art, Classical - Conservation and restoration --- Art, Classical - Influence
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Art [Classical ] --- Art classique --- Classical art --- Klassieke kunst --- Kunst [Klassieke ] --- Art, Classical.
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The constitution, transmission and preservation of all knowledge about antiquity have always been highly mediated acts. As an epoch long past, antiquity can only be constituted through the mediation of relicts, texts, traditions and other evidence. This volume focuses on this aspect of mediacy, which is both a necessary and a decisive constituent of our knowledge of antiquity, and enquires searchingly into the aesthetic dimensions of mediation and how these are incorporated into the form of our knowledge about antiquity.
Art, Classical --- Classicism --- Influence --- Aesthetics. --- Antiquity. --- Knowledge. --- Transformation of Antiquity.
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History --- Classical --- Ancient Greek [culture or style] --- Art --- Roman [ancient Italian style] --- Antiquity --- Art [Classical ] --- Art classique --- Classical art --- Klassieke kunst --- Kunst [Klassieke ] --- Art, Classical --- Art antique --- Art romain --- --Art, Classical --- Art, Classical. --- Roman [ancient Italian culture or period] --- Art grec --- Art antique. --- Art grec. --- Art romain.
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Explores the importance and complexity of classical allusiveness in the modern American novelExplores both the sheer extent and the ideologically-invested nature of classical allusiveness in the modern American novelSheds significant new light on canonical and often-taught major American novelistsSynthesizes and builds on existing research to demonstrate how a proper understanding of each writer’s classical allusiveness contributes to broad debates about modernism and postmodernism, intertextuality and the history and categorization of the American novelDraws on the methodologies and insights of Classical Reception studies as well as American studies, and makes an invaluable contribution to both fieldsIncludes a user-friendly glossary that explains all the classical names, concepts and wordsWatch Tessa Roynon discuss the book at a launch event organised by the Rothermere American Institute This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson. Making the classical world accessible to all readers, it combines new close readings of three key texts by each author with overviews of the essential prior scholarship in the field. It also builds on archival research in documenting the nature and extent of each author’s own familiarity with classical literature and languages."
American fiction --- Art, Classical, in literature. --- History and criticism. --- Classical influences.
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With 1,125 entries and 170 contributors, this is the first encyclopedia on the history of classical archaeology. It focuses on Greek and Roman material, but also covers the prehistoric and semi-historical cultures of the Bronze Age Aegean, the Etruscans, and manifestations of Greek and Roman culture in Europe and Asia Minor. The Encyclopedia of the History of Classical Archaeology includes entries on individuals whose activities influenced the knowledge of sites and monuments in their own time; articles on famous monuments and sites as seen, changed, and interpreted through time; and entries o
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Art [Ancient ] --- Art [Classical ] --- Art classique --- Art de l'antiquité --- Classical art --- Klassieke kunst --- Kunst [Klassieke ] --- Kunst van de oudheid --- Seksualiteit in de kunst --- Sex in art --- Sexe dans l'art --- Art, Ancient. --- Art, Classical. --- Sex in art. --- Art antique --- Sexualité dans l'art --- Sexualité dans l'art --- Art, Ancient --- Art, Classical --- Sex in the arts --- Sexuality in art --- Classical antiquities
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The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought.While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
Memory in art. --- Metaphor in art. --- Art, Renaissance --- Art, Classical --- Art criticism --- Renaissance art --- Classical art --- Classical antiquities --- Influence. --- History --- Warburg, Aby,
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Clothing and dress --- Art, Classical. --- Civilization, Classical. --- Costume --- Vêtements --- Art antique --- Civilisation ancienne --- Congresses --- History --- Congrès --- Histoire --- Art, Classical --- Civilization, Classical --- Costume antiqu --- Nudity --- Anthropologie --- Aspect social --- Psychological aspects --- Social aspects --- Rome --- Greece --- Social life and customs --- Vêtements --- Congrès --- Social aspects. --- Psychological aspects. --- Clothing and dress - Greece - Congresses --- Clothing and dress - Rome - Congresses --- Clothing and dress - History - Medieval, 500-1500 - Congresses
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